High-gloss lacquer is back, with light- and life-enhancing results

It's glamorous and practical, it amplifies light, views and space – and makes any room a talking point. After years of matt, is it time you allowed your home to shine?
The woodwork in this Stoke Newington house is original to the house and painted in a gloss ‘Murrey Red by Papers amp...

The woodwork in this Stoke Newington house is original to the house and painted in a gloss ‘Murrey Red’ by Papers & Paints. The wingback chair belonged to the client, and Lonika reupholstered it in a Soane stripe, with a seat cushion in a Colefax & Fowler mint linen, for the family dog to perch on. The cut pile rug was made bespoke for the project by Shame Studios. The octagonal ottoman was made bespoke for the project – the top is covered in ‘Joseph, Persian’ by Lewis & Wood and the base is a Colefax & Fowler blue linen.

Milo Brown

It’s rare that something glamorous proves to be more practical than the humdrum alternative. But glossy walls and ceilings? Definitely more durable than chalky emulsion. After years of matt, the shiny finishes beloved of mid-century designers like Billy Baldwin and David Hicks are back. Billy knew the value of a gleaming surface: in his New York apartment, glistening chocolate walls were a foil for his high-low mix of cotton fabrics and brass bookshelves. ‘It occurred to me that this was strictly a city room, full of shine: the floor, the walls, the windows,’ he said. ‘So I added more shine.’

Inside Nina Campbell's Chelsea home The ombre turquoise paint effect was inspired by Ninas collection of ceramics by...

Inside Nina Campbell's Chelsea home, The ombre turquoise paint effect was inspired by Nina’s collection of ceramics by Kate Malone which are collected in the adjacent living room. The bookcases have mirrored slips inspired by Elsie De Wolfe which ‘bounce around light and offer up different aspects of the room’, enlivening what was previously a dead space. The mirrored screen reflects the garden beyond.

Chris Horwood

This idea captures something of lacquer’s appeal for today: its knack for amplifying light, views and space. The glossy ceiling in decorator Nina Campbell’s Chelsea home is a case in point, adding height to low proportions and reflecting books as ethereal ripples of colour.

So are the glow-boosting red hallway by interior designer Suzanne Sharp and the orange ceiling in a Notting Hill house by Bryan O’Sullivan, which mirrors the light from a bay window as a luminous mirage.


May we suggest: Design ideas for gloss paint and lacquer


The effect was created by MBMC Studios using painstaking techniques, including an eggshell basecoat, an orange glaze that creates ‘a shifting sense of colour’, and multiple hand-applied lacquer coats, sanded in between to eliminate flaws. ‘Pitching the orange against deep-blue lacquered walls creates a frisson which makes the room a stimulating talking point,’ says Matthew Collins, the studio’s creative director.

In the kitchen of this London townhouse by Nicola Harding Matthew Cox has made the bespoke tables. The Plain English...

In the kitchen of this London townhouse by Nicola Harding, Matthew Cox has made the bespoke tables. The Plain English units are painted in 'Aubergine' eggshell by Pure & Original, with a gloss finish on the matching cupboards.

Paul Massey

Lacquer works best when balanced with tactile materials. ‘I like to pair glossy finishes with timber, linen, stone and antique rugs, creating a dialogue between reflection and softness,’ says Bryan. ‘They shouldn’t feel cold or overly polished; if everything reflects light, nothing feels special.’

A living room created by designer Lonika Chande achieves a sense of comfort by pairing shiny shutters with layered textiles, while decorator Nicola Harding softens the inky cupboards in a London kitchen with raw wood and industrial details.

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Crimson gloss paint is not for the faint-hearted, but designer Suzanne Sharp has used it to great effect in the west London home of her friends Jos and Annabel White. It might be tricky to apply, but it bounces the light around beautifully.

Paul Massey

For colour aficionado Peter Mikic, who has decorated a whole Chelsea dining room in sunflower-yellow lacquer, more is more. ‘If it’s on the walls, I believe in committing to the entire room,’ he says. ‘It’s a great alternative to wood panelling or wallpaper.’

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To transform the front parlour into a technicolour space, Bryan O'Sullivan designed a new library and painted it in a rich shade of teal and commissioned Matthew Bray to lacquer the ceiling in a golden mustard hue. The hanging vintage light fixture is by Paavo Tynell.

James McDonald

If hand-crafted or all-over lacquer feels too labour-intensive, there are other options. Little Greene’s ‘Intelligent Gloss’ paint has 87-90 per cent sheen. ‘It’s especially impactful in small or dark rooms for extra light reflection,’ says creative director Ruth Mottershead. Or take another tip from Billy Baldwin, who once covered the walls of Cole Porter’s apartment in tortoiseshell vinyl; Phillip Jeffries’ ‘Lacquered Walls’ vinyl wallcovering comes in a spectrum of alluring hues, from scarlet to navy.

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Wiggle coffee table, chocolate brown

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Bamboo mirror

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Martyn Thompson Studio, Penny Spotted Hand-Blown Glass Vase (12.5in/32cm)

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Two Tone Cylinder Side Table, pink/red

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Speakeasy Armchair

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Buffed Up Coffee Table, blue